This essay analyses Call Me by Your Name by André Aciman and Swimming in the Dark by Tomasz Jedrowski through a phenomenological lens. Through the theoretical framework, mainly consisting of Sara Ahmed’s The Cultural Politics of Emotion and Queer Phenomenology, I discuss how feelings such as desire and shame work through the subject and influence its relationship with their surroundings. The analysis concludes that the emotion of shame is an isolating feeling, causing the subject to shield themselves from their surroundings. At the same time shame is forgotten in its own temporality, whereas the emotion itself is mistaken as permanent by the subject in the feeling state. On the other hand, the forbidden desire feels temporary and like somet...